Friday 29 June 2012

CCF12 PREVIEW: Committee Meeting


The Committee Meeting: Chris Corcoran and Elis James

Much as I like to spend a couple of hours being talked at in the name of entertainment, there is a huge delight in losing oneself in a concept show… which is what makes this offering from Chris Corcoran and Elis James such a brilliant night out!

The title tells all you need to know really: this show is played as a committee meeting, with Chris Corcoran taking the lead as chairman of the club and Elis James as Rex the caretaker whilst the audience become the club members contributing their own thoughts and opinions. Obviously the format is such that each meeting will be very different from the last, so you quite literally never visit the same show twice.

Of course, playing a show as dependent on audience contribution is always a risk, but the pair are so good at improvising and able to bring out the best in people that it just works really well and is definitely a show you should experience.



Gráinne Maguire

With a range of writing credits including The News Quiz, The Now Show and 8 Out of 10 Cats, Gráinne Maguire is equally confident whether tackling politics or telling tales of her home life. She is engaging and enthusiastic, with a charm about her that radiates to fill the room and a consistently paced delivery. She is definitely worth seeing if you get the chance, so head along to the Cardiff Comedy Festival for a preview of her 2012 Edinburgh show, ‘Where Are All the Fun Places and Are Lots of People There Having Fun?’


Head to the event page here:
The Committee Meeting/Gráinne Maguire

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Monday 25 June 2012

CCF12 PREVIEW: Elis James and Lloyd Langford


Elis James and Lloyd Langford

Previewing their shows in preparation for Edinburgh are the brilliant Elis James and Lloyd Langford.

I hardly think you should need telling about this pair, but I have a role to fulfill, so here you are!


I saw Lloyd Langford twice last year (you can read my review of one preview show HERE) and he was great.
To my mind, the truest guage of how good an act is comes of how they respond when something unexpected is thrown at them and I remember a particular moment at one show that a couple seated near me decided quite literally in the middle of one of his rambles they would leave... knowing that where they were seated would mean making four others at our table stand to let them out. Obviously, Lloyd noticed this and for a moment it was clear his confidence took a bash (especially given that it must have seemed an entire table were leaving!) and he lost his train of thought. He took it completely in his stride, though - just left that piece of his set and moved on. I was glad to see him the second time just to find the end of that particular piece (and don't even start me on the rudeness of walking out in as abrupt a way as they did, because it wasn't even as though they hadn't laughed- let's just say they clearly had other entertainment planned!) but it just shows that even though he portrays an image of disinterest and detachment he is actually completely aware of what is going on around him and his pretense of having not rehearsed his material and claims in that instance of making it up as he goes is a complete fabrication. Quite honestly, I still haven't worked out why we don't see/here more of him on TV or radio but hopefully that will soon change.

And what do I need to tell you about Elis James? Very funny, slick and subtle; crude enough to be interesting but not so much it makes the audience squirm. It might be more to do with his material than delivery as I have only seen him do one set (allbeit more than once!) but he comes across at first as quite naïve and innocent until you realise he is sneaking little moments past you un-noticed. It's a process which is hard to explain, but is testament to his imense talent as a writer as well as his performance skills.

I will say no more, because as with these things I do feel I am descending into the gushiness I try to avoid... but if for whatever reason you have never seen either of these guys, you should definitely do along. Or even if you have... but you won't need telling because no doubt you will have bought your tickets already!


Head to the event page here:
Elis James/Lloyd Langford

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Friday 22 June 2012

CCF12 PREVIEW: Dan Mitchell



This piece was originally written as a preview to the event. For the review, go here: Free Egg Review


My life being what it is right now, the time I can physically spend at the Cardiff Comedy Festival is limited but the moment I heard that Dan Mitchell would be previewing his Edinburgh show Free Egg I knew I had to be around for it. I saw him many years ago in a place I don't even remember at one of those shows you walk away from feeling thoroughly entertained but having forgotten the names of all the acts; in fact I only learned his name when I saw him on the ITV programme Show Me the Funny. I shan't repeat my thoughts on that show... but being the only contestant I had heard of, I would have liked to have seen him win. As with such shows, though, all those with true talent have come out of it well so I have no real issues with the fact he didn't.

Anyway, drifting from the point... my regular readers will be used to this by now, but I am aware many reading these posts are not, so I will try to keep it relevant!

I know it's a phrase I maybe use too often, but what can I say - Dan Mitchell is just naturally funny; he doesn't need to try. There is a phrase my nine-year-old used once which fits so well here: "Comedy just falls from his face".

Not much more I can add to that really!

So yes, go along to this show... entry: FREE, so even if like me you have to travel to get there you have ONLY travel costs to worry about! What more could you ask for?

Head to the event page here:
Dan Mitchell ~ Free Egg

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Monday 11 June 2012

Time to Play


As kids, my brother and I used to record radio shows on our little cassette recorder. Nothing too special of course; I found some recordings a while ago and it mostly amounts to myself telling him exactly what to say in order to feed my precocious lines or reading poetry out of a book then telling him to say why he loved the poem. Which he didn’t; he was a boy, boys don’t do poetry; he was eight, eight year olds don’t get the subtle nuances of poems; he had a trainset, which is far more fun than making pretend radio shows with a bossy, pretentious big sister.

But I had a jingle and everything.

It was a clever use of the title of the book and made a classic tune: “We’re looking oooout of the Poet’s Wiiiiindoooooow-ooooo-oh-aaaaah-oooooh”


There is much talk of how kids today have no idea how to play, that television and the internet has rendered them incapable of making their own entertainment as we did back then… but something happened this week which made me realise that in fact things really are no different.


I have certain essentials on me whenever I leave the house. Inside whatever bag I happen to be using that day is a little bag containing (amongst other things) pens, a small notepad, nail glue, scissors, my non-music mp3 player (as in the one with podcasts, Welsh lessons and radio shows) and a Dictaphone and external mic (oh, and The Book… not nagged you for a while, so BUY IT!!). Baby had kicked off as we were leaving the house about not wanting to go out with me, so chose to ignore my demands that she take her homework or some toys with which to pass the time.

And this was a Wednesday, child one’s violin lesson which should be half an hour, not enough time to get home and back but ends up being closer to an hour which would be. So baby and I were sitting in the car outside the violin lesson for what ended up being a little over a full hour (incidentally, I don’t complain about this as I am effectively getting half-price lessons, so ‘whatever’!) and to stop the whining, I gave her my bag and settled for just reading The Book. (I know, it’s a chore but I made it through it again!)

There were notes I needed on the Dictaphone, so on returning home I went to listen back and found a batch of unlabelled recordings; some from events I had attended a while ago and forgotten all about, some to be filed into the ‘things I should write about at a later date’ folder, but then came baby’s voice:

“Hello and welcome to this brand new podcast”


Funniest thing was her face when she came into the room and realised I was listening to her. An expectant grin as she knew what was awaiting me.

Then I hear something, amidst the ‘Shout-out’ section (yea, she’s a real pro!)

Now, had I thought of a shout-out section, I am sure my poetry show would have been far better. But I didn’t.

And as she reeled off hellos and pretend Happy Birthdays to various actors and cartoon voice-overs she inexplicably holds the names of, I hear “and a shout out on my mum’s behalf to Chris Corcoran. Otherwise known as Korkey. Or that bloke from off of Doodle-do.”

And through her laughter as she watched me listen, she said “---sorry--- really--- so sorry --- I-just--- had to – I know you hate that --- just---- I can’t even --- your face---- I know ---- it’s too funny --- but I am sorry though”


And I am aware that makes little sense if you haven’t read my rambling fangirl nonsense, so here’s a little screencap of my minor rant from so long ago:


But anyway, getting bogged down in the detail again…

Point is this:

Has the constant input from direct media killed the imagination of our children? Absolutely not.

They might play through different mediums, yet still the imaginative creativity is the same.

Kids still play at schools, it’s just that their cardboard-box desks have laptops drawn on them, their makeshift blackboards are white with interaction buttons of playdough stuck along the edges, baby-doll pupils giggle and cry electronically throughout lessons and the cage containing the class pet zhu-zhus is a very noisy one indeed. But the game remains the same.

The ultimate toy of creativity would have to be Lego. Baby loves playing with my old collection and will spend hours building, but is far happier spending her time creating on Minecraft as she does not have to deconstruct at the end of the day. Is it any less creative? Actually I’d say more so, because as well as the un-ending build, she also has to make her building materials. (I don’t play myself, but I gather there is some process of using a furnace and selecting ingredients…) Were the makers of Lego to send you a bucket of plastic beads and colourings I very much doubt many would feel inclined to build anything whatsoever. Because there is no trace when she closes down the computer, does this make the process of her creation any less valid? Of course not.

It is claimed that children do not know how to create their own characters as everything is pictoralised for them but I think the opposite is true. It seems clear to me that what our children are to learn from the visual onslaught is that the mind can create quite literally anything; that the only limits are our own imaginations. Characters when I was growing up were generally just personified animals, vehicles or household objects but nowadays there is such a range that they feel compelled to create their own weird and wonderful beings. Some of the creatures drawn by baby and her friends really are quite something!



Things have not changed that much if you step back and watch how your kids are actually playing whilst they think you are not around.

Anyhoo…

Rant over.

And in other news; after her little delve into the world of recording baby thinks a weekly podcast would be great fun! I think not.

But baby has a habit of winning these discussions, so I’ll be in the office digging out my copy of The Poet’s Window ready for the poetry section just in case.
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CCF12 PREVIEW: Vagabond Comedy


Vagabond Comedy


A monthly event at the Gwdhiŵ Café/Bar, Vagabond Comedy are to host a preview of the new Edinburgh show of Cornish act Matt Price on Tuesday 10th July.

Having not attended the venue myself, I asked a friend who has to give her twopenn’orth. Here is what she had to say (with a few edits!):

“It’s a lovely little venue, really intimate. If I went again [I wouldn’t go alone] because I felt like a proper outsider and there were some right letchy student types. But that’s nothing to do with the event is it.
Don’t know any names, but the guy that compered [Jordan Brookes] was really good at riling people up ready for the acts. He was good at talking with the audience and actually listened to responses. Sometimes they just ask questions but gloss over the answer if it doesn’t fit the next bit of their set, but he didn’t. I don’t think he even had any prepared material to be honest [nb: Personally I doubt this is the case, as I have never yet met anyone who MCs an event in that way, so props to him for either appearing so spontaneous or having the balls to stand up and free-flow – not sure which I think is harder!] The acts were all quite good too. Don’t think any of them were famous in real terms [read: Have not been on TV] but they were funny even if in some cases seemed a bit green. If you are around when there’s a night on you should definitely go. [Trails off into a rant about not knowing who anyone is and admits to only recognising people who have been on LATA or MTW ]

So there you go, ticks for the venue and acts, just the audience that let it down in her case - although most people can handle a few drunken, letchy student types!

I will add that Matt Price is absolutely brilliant and just immensely likeable, so even if you do not know any of the other names you should certainly be wanting to see him! Check out his website here: Matt Price

Also on the bill for this evening are:
Gareth Brand: semi-finalist of the Gilded Balloon’s So You Think You’re Funny of 2009
Matt Rees: winner and finalist in several contests over the past year or so, amongst which he won the 2011 WUSA and more recently the Leicester Mercury Comedian of the Year at Leicester festival this February.
Rob Hughes: 2011 semi-finalist of Laughing Horse New Act of the Year and finalist of WUSA


Buy tickets here: Vagabond Comedy

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Sunday 10 June 2012

CCF12 PREVIEW: Peacock and Gamble Festival Opener


Peacock and Gamble


Officially kicking off the Cardiff Comedy Festival on July 4th are the fabulous Ray Peacock and Ed Gamble with a preview of their new Edinburgh Fringe show.

In the interests of research I have endured the best part of two solid days listening again to all the old Peacock and Gamble podcasts – what can I say; life is a chore sometimes! Okay, admittedly I could have just listened to a couple and reported back, but I had quite honestly forgotten how utterly hilarious the pair are so went a bit pringled on the task.

In reality only true comedy geeks will have any familiarity with P&G as they very much represent the unseen comedy sector of writing and warm-up with the vaguest smattering of low-key TV appearances, the most notable being on Russell Howard’s Good News. This lack of exposure is quite obviously the influence of their title; “Don’t Even Want To Be On Telly Anyway”- although I have to say I quite like it that way; mostly because I relish in the smugness that comes of enlightening people but also because TV audiences can often destroy perfectly good gig experiences through their inflated expectations. (Okay, I’m sounding like a right snob so I shall shut up now!) But anyway, a very funny pairing with an amazing chemistry, both naturally funny and feed off one another so well.

Just go watch them. I guarantee* that however you find yourself at this blog, the fact that you have means you will very much see the funny in these guys. So clicky the links, get your tickets and go along. No excuses really – it’s even not as though Cardiff is difficult to get to, is it? Or if you think it is, check out the boys’ own website for more info on where you can see them!
(*guarantee has no value whatsoever)

Buy tickets here

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